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Africa Yesterday, Today and Tomorrow

Exploring the Multi-dimensional Discourses on ‘Development’

From a multi-dimensional and interdisciplinary standpoint, this book challenges the teleological and unidirectional notions of development embodied in the idea of modernisation or ‘progress’ and offers a critique of the tendency to consider Africa as a basket case, which often gives the Western ‘self’ an undeserving privilege and superiority over the African ‘other’. Mostly authored by emerging African scholars, this 16-chapter volume addresses the historical application of development projects in Africa and their modern impact in economic, political, cultural, social, and infrastructural contexts, among others. The book, therefore, unearths development dynamics in specific African countries, examines the continent’s external relations, rethinks predominant ideas on development, and engages in critical examination of concepts and practices that have maintained hegemonic positions in the discussions on Africa’s development. Its uniqueness lies in the ability to bring these several voices and themes together into a concise conception of both the challenges and possibilities of Africa’s sustainable development. The book targets both the academic and policy worlds in Africa and around the world, as well as ordinary members of the public who seek to broaden their theoretical and empirical understanding on the changing dynamics on the African continent.

... state” (see Frimpong-Ansah 1992) to “the politics of the belly” (Jean-François
1993; see also Lindberg 2003) to the “criminalisation of the state in Africa” (Jean-
François et al. 1999), a great many discourses have emerged to inform us about
why Africa remains where it is today. This is also to show that from the end of the
Cold War to present, there has been a trend of stereotypical—and mostly
imperialist— Afro-pessimism that has characterised the discourse on Africa's
development.

The Oracle of the "tiny finger snap of time"

A Study of Novels with a Specific Time Culture

Many poets, playwrights, and novelists have grappled with the concept of time. Even more scholars have analyzed how novelists have used time for structuring, organizing, plotting and philosophizing. This collection of essays about the use of time in the novel is unique not only because the writers cover a wide range of concepts of time, but also because they locate certain novels within a specific time culture. The chapters analyze novels (and one film) with definite time cultures, providing hints as to the future of the use of time in the novel. Emily Bald’s chapter begins the collection in the nineteenth century with Life in the Iron Mills showing both inner time – the perceptual time which fluctuates with the vicissitudes of affective experience – and external time, which has become known as clock time. This ties in well with Rachel Kaufmann’s chapter exploring felt time in contemporary women’s literature. Marco Caracciolo’s chapter adds “cosmic time” to Ricoeur’s monumental and mortal time with the case studies of Virginia Woolf’s The Waves, and Terrence Malick’s film The Tree of Life. Two chapters explore the effects of World War Two: AJ Burgin presents the disorienting technique of Martin Amis’ Time’s Arrow that shows time going backwards – even in dialogue. Raymond Burt presents two novels of Michael Köhlmeier, a contemporary Austrian writer, spanning the decades since the end of World War Two, with his chapter drawing the link between time and morality. The final chapter on Calvino’s If on a winter’s night a traveler shows the multiplicity of time that the previous chapters have demonstrated so clearly. Terms such as affect, truth, haunting, memory, reality, identity, morality and mortality all resonate within these chapters as characters within the novels and their specific culture areas grapple with time, recall the past, and attempt to live in the present. Many of the writers in this collection point towards possible new methods of dealing with time; reading methods; engaging with the novel writers of the future in new and interesting relationships. Here, Time has not been wasted.

Minneapolis: University of Minnesota Press, 1997. Grice, Helena. Maxine Hong
Kingston. Manchester: Manchester University Press, 2006. Gunn Allen, Paula.
The Sacred Hoop: Recovering the Feminine in American Indian Traditions.

As Mirrors Are Lonely

A Lacanian Reading on the Modern Irish Novel

The Irish novel has demonstrated an ability to sample other forms and influences, to improvise and evolve in the light of changing circumstances. Peter Guy’s new study helps investigate the way in which Irish writers since the sixties have responded to these influences, re-examining their work through the theory of the French theorist Jacques Lacan. Focusing on the novelists John McGahern, Brian Moore and John Broderick in a simultaneous reading, and applying a psychoanalytical theory which centers in particular on gender and family relations, this new study also covers a number of other complex issues, issues which span the claustrophobic and repressive atmosphere of the 1950s to the secular ahistorical Ireland of today.

David Coad, one of McGahern's most forceful critics has said: 'I think one should
be careful about using philosophical terms for a writer who is as unphilosophical
as McGahern.'1 He would go on to state: 'McGahern's style has hardly altered in ...