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The War in the Empty Air

Victims, Perpetrators, and Postwar Germans

"This book will provoke intellectually, ideologically, and emotionally loaded responses in the U.S., Germany, and Israel. Barnouw's critique of the 'enduringly narrow post-Holocaust perspective on German guilt and the ensuing fixation on German remorse' questions taboos that the political and cultural elites in those three countries would rather leave alone.... [Barnouw] makes us understand why the maintenance of a privileged memory of the Nazi period and World War II may not survive much longer." -- Manfred Henningsen, University of Hawai'i In Germany, the reemergence of memories of wartime suffering is being met with intense public debate. In the United States, the recent translation and publication of Crabwalk by GÃ1⁄4nter Grass and The Natural History of Destruction by W. G. Sebald offer evidence that these submerged memories are surfacing. Taking account of these developments, Barnouw examines this debate about the validity and importance of German memories of war and the events that have occasioned it. Steering her path between the notions of "victim" and "perpetrator," Barnouw seeks a place where acknowledgment of both the horror of Auschwitz and the suffering of the non-Jewish Germans can, together, create a more complete historical remembrance for postwar generations.

The hugely successful representation of Jewish persecution during the fifties, the
play and the movie based on the diary of Anne Frank, shared in and contributed
to this universalism. Later the Hacketts' much praised adaptations of the diary for
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