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Creative Motion Graphic Titling

Titling with Motion Graphics for Film, Video, and the Web

The book features genre-based tutorial sections, with step by step instructions for creating effective horror, comedy, drama, and suspense titling sequences. Tutorials for creating some of the most popular title sequences in blockbuster movies are included (Se7en, The Sopranos, 24, The Matrix). Other tutorials teach you how to effectively use sound and VFX in your titles, and also included is instruction on editing your title sequence. These techniques, as well as chapters on the essentials of typography allow you to apply these lessons to your title sequence regardless of whether it's for TV, the web, or digital signage. Also included is a DVD with sample clips, as well as project files that allow you to refine the techniques you learned in the book. As an added bonus we've included 3 titling chapters from other Focal books, with specific instructions on titling within certain software applications. Cover images provided by MK12, from The Alphabet Conspiracy. Learn more at www.MK12.com

The team had fluid roles, from graphical build and layout to rotoscoping and
compositing. Can you elaborate on the client dynamic? The client dynamic was
great. This was our first time working with Marc and his team. We immediately got
 ...

3D Photoshop for Creative Professionals

Compositing. the. 3D. Models. We are now going to integrate the 3D characters
into a photo composite that is an image of a waterfall with stone structures
integrated into it and a misty sunset haze. We will add some painting techniques
to fade.

Creative After Effects 7

Workflow Techniques for Animation, Visual Effects and Motion Graphics

Realize your creative potential with a working knowledge of After Effects 7. Renowned artist and designer Angie Taylor demonstrates professional workflows and inspires with practical tutorial lessons that help put the theory (and you!) to work. You'll learn from a comprehensive survey of the new interface and features, with illustrated techniques for animation, visual effects and motion graphics. Practice exercises to reinforce essential techniques, and continuous projects challenge you with fantastically creative uses of the application. The companion DVD includes everything you'll need to complete the tutorials as well as an array of bonus plug-ins and demo software.

Compositing is the process of layering images or movies together to create a new
image or movie. There are several methods of compositing images together. In
this chapter we'll explore many ways of combining images including the use of ...

The Filmmaker’s Guide to Digital Imaging

For Cinematographers, Digital Imaging Technicians, and Camera Assistants

It’s a whole new world for cinematographers, camera assistants, and postproduction artists. New equipment, new methods, and new technologies have to be learned and mastered. New roles such as that of the DIT (Digital Imaging Technician), Digital Loader, and Data Manager are integral to today’s motion picture production process. Take your mastery of these new tools, techniques, and roles to the next level with this cutting-edge roadmap from esteemed author and filmmaker Blain Brown. The Filmmaker’s Guide to Digital Imaging covers both the theory and the practice, featuring full-color, in-depth coverage of essential terminology, technology, and industry-standard best-practices. Brown covers new industry-wide production standards such as ASC-CDL and the ACES workflow. Interviews with professional cinematographers and DITs working on Hollywood productions equip you with knowledge that is essential if you want to work in today’s motion picture industry, whether as a cinematographer, DIT, Digital Loader, Data Manager, camera assistant, editor, or VFX artist. Topics include: Digital sensors and cameras The structure of digital images Waveform monitors, vectorscopes, and test charts Using linear, gamma, and log encoded video files Exposure techniques for HD and UltraHD Understanding digital color Codecs and file formats The DIT cart Downloading, ingesting, and managing video files Workflow from camera to DIT cart to post Using metadata and timecode The companion website (www.focalpress.com/cw/brown) features additional material, including demonstrations and interviews with experienced DITs and cinematographers.

For Cinematographers, Digital Imaging Technicians, and Camera Assistants
Blain Brown. data management Figure 10.2. (Above) SxS cards are flash memory
with a Data Management.

Forensic Uses of Digital Imaging, Second Edition

The ability to work with, and retrieve images, is vital to forensic and criminal case work. During a five-decade-long career, author John C. Russ has taught methods for image processing and measurement to thousands of students. Forensic Uses of Digital Imaging, Second Edition distills his classroom and workshop material to present the information most relevant to forensic science. Since the publication of the first edition, there have been many significant changes in technology that have revolutionized the ways digital images are used in forensic investigations. Fully updated, the second edition: Covers the widespread advancements of digital imaging photography and processing Discusses the increased power, storage capacity, and use of digital cameras, laptop computers, tablets, and cell phones in forensic science Gives real-world examples to illustrate comparisons between different processing options Includes hundreds of full-color images that demonstrate technologies and techniques Addresses issues of admissibility of forensic investigation results under Frye and Daubert rules Provides guidelines and suggestions for effectively presenting and explaining results Forensic Uses of Digital Imaging, Second Edition explains concepts with minimal jargon, and the methods and tools described in this book can be implemented in a broad spectrum of available computer programs. By demonstrating how these methods can be applied to a variety of images, this book helps readers develop the ability to understand when and how specific techniques should be used. It will be of particular use in casework for practicing photography and imaging police and forensic professionals who need to verify and explain both interpretations and processes to legal professionals, judges, and juries.

Forensic photography: Ultraviolet imaging of wounds on skin. American Journal
of Forensic Medicine and Pathology 11(4):300–308. P. G. J. Barten. (1999).
Contrast Sensitivity of the Human Eye and Its Effects on Image Quality. SPIE
Press ...

Theoretical Foundations of Digital Imaging Using MATLAB®

With the ubiquitous use of digital imaging, a new profession has emerged: imaging engineering. Designed for newcomers to imaging science and engineering, Theoretical Foundations of Digital Imaging Using MATLAB® treats the theory of digital imaging as a specific branch of science. It covers the subject in its entirety, from image formation to image perfecting. Based on the author’s 50 years of working and teaching in the field, the text first addresses the problem of converting images into digital signals that can be stored, transmitted, and processed on digital computers. It then explains how to adequately represent image transformations on computers. After presenting several examples of computational imaging, including numerical reconstruction of holograms and virtual image formation through computer-generated display holograms, the author introduces methods for image perfect resampling and building continuous image models. He also examines the fundamental problem of the optimal estimation of image parameters, such as how to localize targets in images. The book concludes with a comprehensive discussion of linear and nonlinear filtering methods for image perfecting and enhancement. Helping you master digital imaging, this book presents a unified theoretical basis for understanding and designing methods of imaging and image processing. To facilitate a deeper understanding of the major results, it offers a number of exercises supported by MATLAB programs, with the code available at www.crcpress.com.

The process of linear transformation is called linear filtering, and a unit that
performs it is called linear filter. Imaging Systems and Integral Transforms Direct
Imaging and Convolution Integral In describing imaging systems, it is always
assumed ...

Perceptual Digital Imaging

Methods and Applications

Visual perception is a complex process requiring interaction between the receptors in the eye that sense the stimulus and the neural system and the brain that are responsible for communicating and interpreting the sensed visual information. This process involves several physical, neural, and cognitive phenomena whose understanding is essential to design effective and computationally efficient imaging solutions. Building on advances in computer vision, image and video processing, neuroscience, and information engineering, perceptual digital imaging greatly enhances the capabilities of traditional imaging methods. Filling a gap in the literature, Perceptual Digital Imaging: Methods and Applications comprehensively covers the system design, implementation, and application aspects of this emerging specialized area. It gives readers a strong, fundamental understanding of theory and methods, providing a foundation on which solutions for many of the most interesting and challenging imaging problems can be built. The book features contributions by renowned experts who present the state of the art and recent trends in image acquisition, processing, storage, display, and visual quality evaluation. They detail advances in the field and explore human visual system-driven approaches across a broad spectrum of applications, including: Image quality and aesthetics assessment Digital camera imaging White balancing and color enhancement Thumbnail generation Image restoration Super-resolution imaging Digital halftoning and dithering Color feature extraction Semantic multimedia analysis and processing Video shot characterization Image and video encryption Display quality enhancement This is a valuable resource for readers who want to design and implement more effective solutions for cutting-edge digital imaging, computer vision, and multimedia applications. Suitable as a graduate-level textbook or stand-alone reference for researchers and practitioners, it provides a unique overview of an important and rapidly developing research field.

35, no. 11, pp. 1732–1743, November 2000. K. Parulski and K.E. Spaulding, “
Color image processing for digital cameras,” in Digital Color Imaging Handbook,
G. Sharma (ed.), Boca Raton, FL, USA: CRC Press, December 2002, pp. 728–
757.

Digital Imaging for Cultural Heritage Preservation

Analysis, Restoration, and Reconstruction of Ancient Artworks

This edition presents the most prominent topics and applications of digital image processing, analysis, and computer graphics in the field of cultural heritage preservation. The text assumes prior knowledge of digital image processing and computer graphics fundamentals. Each chapter contains a table of contents, illustrations, and figures that elucidate the presented concepts in detail, as well as a chapter summary and a bibliography for further reading. Well-known experts cover a wide range of topics and related applications, including spectral imaging, automated restoration, computational reconstruction, digital reproduction, and 3D models.

[2] B. Hill, “Color capture, color management and the problem of metamerism:
Does multispectral imaging offer the solution?,” in Proc. IS&T/SPIE Dev. –
Independent Color, Color Hardcopy and Graphics Arts V, pp. 2–14, 2000. [3] R.
Berns, L.

Practical Forensic Digital Imaging

Applications and Techniques

Well-documented scenes can prove to be invaluable pieces of evidence at trial, and the ability to take compelling photographs is a critical skill for forensic scientists and investigators. Practical Forensic Digital Imaging: Applications and Techniques is an up-to-date and thorough treatment of digital imaging in the forensic sciences. Balancing practical considerations with scientific and standards-based requirements, the book’s clear, concise presentation illustrates the essentials of digital imaging required by professionals in the field. Enhanced with crisp color photos, the book covers a host of critical topics, including: The fundamentals of photographing crime scenes The history of photography and the transition to digital imaging Digital camera hardware and photographic techniques Light, filters, and macro/micro imaging Lay, professional, and expert witnesses, and the implications of Frye and Daubert Enhancement of images and digital panoramic camera scanning Storage of digital media Ultraviolet and infrared imaging Digital photo imaging microscopes Covering the full range of scenarios that forensic professionals encounter, the author includes special sections dedicated to photography involving footwear and tire impressions, vehicles, death and morgue scenes, and taphonomic and entomological imaging, as well as fingerprints, burglaries, fire and arson, sex offenses, blood, and trace evidence and microscopy. The techniques in this volume enable photographers to capture the images that will not only tell the story, but will also stand up in court. Watch Patrick Jones in his laboratory on the CRC Press YouTube channel.

Introduction Digital imaging did not just appear on the horizon one day; it had its
roots in film photography (Figure 2.1). The 35-mm camera has been around for a
long time. In time, the standard developed (no pun intended) to the 35-mm SLR ...

The Manual of Photography and Digital Imaging

The tenth edition of The Manual of Photography is an indispensable textbook for anyone who is serious about photography. It is ideal if you want to gain insight into the underlying scientific principles of photography and digital imaging, whether you are a professional photographer, lab technician, researcher or student in the field, or simply an enthusiastic amateur. This comprehensive guide takes you from capture to output in both digital and film media, with sections on lens use, darkroom techniques, digital cameras and scanners, image editing techniques and processes, workflow, digital file formats and image archiving. This iconic text was first published in 1890 and has aided many thousands of photographers in developing their own techniques and understanding of the medium. Now in full colour, The Manual of Photography still retains its clear, reader-friendly style and is filled with images and illustrations demonstrating the key principles. Not only giving you the skills and know-how to take stunning photographs, but will also allowing you to fully understand the science behind the creation of great images.

Elizabeth Allen is a principal lecturer in Imaging Science at the University of
Westminster. She specialises in digital imaging systems and processes and
image quality and has been the course leader of the BSc Photography and
Digital ...